I don’t recall how I came across Marjorie’s ad for a roommate but we clicked instantly. As the photos show, Marjorie was beautiful – she was frequently compared to a young Natalie Wood. Someone so pretty might have intimidated me – put me off – if Marjorie hadn’t been so refreshingly candid, unpretentious and down to earth. Since the age of 16, she supported herself. When we met, she worked weekends clerking at the Med Center.
We had a lot in common, since both of us were in the Theater Arts department. Luckily, she was an actress and I was a writer so competition wasn’t an issue. At the time, she was dating a moody Scottish playwright who’d won the Eugene O’Neill award. He proved it was possible for somebody with no Hollywood connections whatsoever to succeed as a writer.
Marjorie and I shared apartments for two years and our lives ran on parallel tracks for a while. We married within a year of each other (she to a doctor, me to a law student) and had our first children within months of each other. Her daughter, Jenny, stole the spotlight from my son, CD, when the two of them were extras in the day-care scene of “Nine to Five”. (Sterling Hayden picked up Jenny, because clever Marjorie armed Jenny with an attention-getting near-lifesize doll – an actress trick that would never occur to a writer, at least not this one.)