I remember this well – my excitement was so intense it’s still indescribable. All of those times I came so close to my goal and missed taught me to lower my expectations. I didn’t let myself hope for more than another meeting. To learn my spec script had been optioned by a real producer for real money (not a lot, but more than I’d ever made writing before) seemed surreal.
Part of me always believed I’d make it as a writer, otherwise I wouldn’t have pursued it – but another part saw a screenwriting career as a dream, out of reach. One of my high school teachers told me I wouldn’t be a real writer until someone paid me to write and I believed her – so, Steve Friedman optioning the script was validation.
In my dizzy euphoria, I assumed everything would be different now – my career would come easily. That proved overly optimistic. Steve didn’t make the movie and the option lapsed. The same script would be optioned twice more, by two different producers, and it attracted some top-tier female directors and talent, but as of today it remains unproduced.
Doesn’t matter. It’s still one of the top ten days of my life.
This entry’s self-conscious attempt at being “lyrical” suggests I wrote it for others to read, not to bare my soul. One of my failings as a writer (or strengths, depending on your point of view) is my conspicuous lack of place description. It bores me in other people’s fiction, so why torture my readers?
Elmore Leonard’s ninth and tenth rules of writing are:
Don’t go into great detail describing places and things.
Try to leave out the part that readers tend to skip.
The parts I tend to skip are description – of place in particular, but pretty much everything else too. Some people love elaborate descriptions of food. I hate them. Unless it affects the plot – for example, if there’s arsenic in the quiche – it just doesn’t matter if the hero selects steak or salmon as his entrée.
One can argue what people eat defines aspects of their character. The guy who loves Popeye’s is rarely mistaken for the dude who dines at Nobu. That said, there’s no excuse for describing more than one meal per person per book. The reader doesn’t need to know and I don’t want to.
Written down in black and white, the details of these days seem like the textbook definition of dorky, but all these years later I remember the experience – and the feelings, the rush of euphoria that came with finding a friend I connected with – as beautiful and perfect, just like the diary says.
If I try to insert the names of other friends – even close friends – instead of Sandy, it simply doesn’t work. I never could have shared these goofy adventures – let alone laughed as hard as we did – with anybody but Sandy. Her wild, quirky imagination met mine. She could be as deep as she could be silly. As complicated as “where the woodbine twineth” or as simple as “Nature Night”. I have no idea what made it so much fun to spy on little kids in her neighborhood – it never would’ve occurred to me with any of my other friends but she could find intrigue anywhere, make an adventure out of anything.
In my diary entries, I worry obsessively about being boring but in retrospect there was some projection going on. While I very well might be boring as hell, the truth is I am – and always have been – easily bored (which, according to some, means deep down I’m as boring as I always feared, but isn’t it all subjective?). Boredom was never an issue with Sandy. She had a knack for making anything interesting.
I didn’t know it at the time but this was my last day of employment as a secretary and the start of a major transition. Although it wasn’t officially confirmed I was pregnant, I strongly suspected I was and I was right. Since quitting my job meant relinquishing our health insurance, my timing was terrible.
In addition to impending parenthood, I faced an extremely uncertain future as a film and television writer – as illustrated by my conversation with my UCLA writing professor and mentor Bill Froug. Not only did I learn the unhappy story of another writing professor’s life, I realized it might take Froug – my champion – an unspecified “while” to read my outline. If the man who most believed in me wasn’t eager to read my latest, how could I hope to interest the powers-that-be in Hollywood?
At the time of this entry, I hadn’t earned a dime writing, John was in his second year of law school and our first baby was on the way. I should’ve been petrified but for some reason I wasn’t. To be sure, there were some hard times ahead – it would be four years before I’d see any success as a writer – but I believed we’d be all right – and we were.
To this day, I think this is the only time John and I experienced Ren Faire so it’s kind of interesting (to me, anyway) how Ren Faire wove through my life anyway. Long after we broke up, my college boyfriend Luke became a weekend Ren Faire entrepreneur selling costumes and period weapons. I had no idea he was such a Renaissance buff.
It left a huge imprint on the four-year-old brain of our son, CD. For years, he and his girlfriend (and future wife) Serena spent every weekend with their network of friends at Ren Faire. (He’s a lot better at roughing it than I am.)
Later still, my screenwriter pal Art Everett and I collaborated on a spec script for the Practice (my sister Janet worked there at the time) which featured a comedic Ren Faire “B” story. Sadly, the Practice ended its run about the time we finished and our spec ended up in a desk drawer.
If I were going to do it again – and I’d like to, it’s only been 35 years since our last visit I’d spent a little more time and money (both of which I probably have more of now than we did then) and invest in an appropriate period costume, throw my inhibitions to the wind and enjoy a day of real-time role-play. Oddly enough, I think it’s also becoming easier to let loose and play as I get older.
If anyone’s up for an LA Ren Faire excursion soon, call me. Let’s meet up.
I was in charge of planning our cross-country road trip and booking our lodgings. Most of my selections came straight out of the pages of Eccentric America, a terrific resource. The Out ‘n’ About Treesort in Oregon and Ravenwood Castle in Ohio (exactly like it sounds like it should be – a replica of a Celtic castle) were the two most interesting places we stayed. I wanted to book a night at Sod House, so we could experience how early American settlers lived, but John drew the line at sleeping on sod.
There was a bag swing and rope ladders at the treehouse. I chided Sam and Alex when they were unable to climb up the rope and offered to demonstrate how easy it was. To my horror, apparently I’ve lost ALL of my upper arm strength over the decades – I couldn’t make an inch of progress. To explain my failure, I shouted “I have Fuchs!” and they responded with hysterical laughter. I do have a tendency to blame Fuchs (genetic cornea disintegration, basically – link to blog 9/4?/04) for everything, even though realistically it has no effect on anything but my corneas. This episode was videotaped but, alas, we lost the camera and all of the film well before anybody could post my humiliation on YouTube.
As one would expect, there was no television and no internet service in the treehouses so we spent an old-fashioned evening playing hearts and spades. I regret not taking more photos since each treehouse was unique. Ours had an upper adult unit connected to a smaller kid’s room by a swinging bridge. The only downside was showers, sinks and toilets were on ground level, about 75 feet away.
This was one of my favorite family vacations. Sam graduated from an upstate New York college the week before. John and I flew to Buffalo and rented a gigantic van. Our plan was to load four years’ worth of Sam’s worldly possessions plus ourselves in the van and drive it across the country to LA. None of us had done it before.
Aside from the fact our luggage didn’t travel with us to Buffalo and we weren’t able to reunite with it until we hit Philadelphia – aside from that snafu, everything went as smoothly as it possibly could for a sweaty family of four jammed into a hot (that’s hot as in sweltering, not Corvette).
We picked up Alex at the Columbus airport after he finished his finals. Regrettably, Chris and Serena couldn’t make it. Just as well, since two more riders would’ve meant strapping someone to the ski rack. Our van featured a DVD player to help the boring miles speed by. In between all the anime, we viewed the first season of Deadwood again to psych ourselves up for our visit to the same.
A brief review of Deadwood, the HBO series. The first season was brilliant. The second had its moments. The third jumped the shark. A traveling Shakespearean acting troupe planted themselves in Deadwood for the season and – like the big black hole of an idea this was – gulped airtime and sucked away all semblance of plot. A mercy killing would’ve been kinder. The Shakespearean acting troupe was tantamount to a Deadwood Talent Show.
You remember the dreaded Talent Show trope, you’ve seen it before – most egregiously in the final season of Showtime’s OZ, when inmates in a maximum-security prison sang and tap-danced for their fellow sadistic killers. Laverne and Shirley’s brewery threw a Talent Show. So did General Hospital. Suffice to say none of them have elevated the art form. IMHO, when a show stoops to the dreaded Talent Show, it deserves to die. No appeals, no reprieves. Everything must end someday; some should do it sooner.
Back to the Great Family Road Trip through Eccentric America in a few days.
It’s exciting when a script goes out for casting. The Helios Movie of the Week, “She Led Two Lives,” ended up starring Connie Selleca. The project I was about to travel to Texas to research didn’t get made. A disproportionate number of research trips took me to small towns in Texas, probably because a lot of stories ripe to be turned into TV movies occur in small Texas towns.
These were heady, exciting times but some of my weaker diary entries. Today’s entry reads like a call sheet. Mentions of J and my family are cursory, I didn’t record any adorable things the kids said or profound observations from my dad. In retrospect, I wish I’d filled these pages with personal anecdotes and quotes from my family instead of tracking blips on the radar of my career.
This leads to a bigger regret – I wish I’d spent more time with my children when they were young instead of obsessing about my next writing assignment. The writing doesn’t matter much now but I’d give anything for a few days with Chris, Sam and Alex when they were thirteen, six and five. (Maybe not thirteen, that was rough.) In my dreams, they’re always five or six.
Before I feel too guilty or too sorry for myself, I should add that I was lucky. I wrote at home, not in an office, and I could make my own schedule. To all intents and purposes, I was a stay-at-home mom who could volunteer at their school or scout troop, pick them up if they got sick in the middle of the day etc. Maybe I took all that time for granted and that’s why I didn’t value those years enough. I hope to do better when and if I have grandchildren.
The extreme competition for a toehold in the entertainment industry makes it a major challenge. That, plus the fact a lot of people assume there’s nothing to it. Most people would never attempt to perform brain surgery or extract wisdom teeth because they’re not trained professionals – but when it comes to acting, writing, directing, everybody’s an expert. Some people are right, they’ve got what it takes. Most are wrong; they fail to realize the craft and hard work involved in making it look easy.
For years, industry experts have claimed that if you write a great script, it will be discovered but I disagree. I can’t prove it but I suspect a lot of great scripts die in the drawers of discouraged writers unable to get a read from somebody with enough power to help.
I got my big breaks from professors in college – notably Bill Froug and Shelly Lowenkopf – who liked my work and recommended me to agents. That’s my first advice to anyone who wants to break in. Take a class, impress the professor, make friends with him, her or anyone else with connections. The seminar’s bottom line advice was correct for its time – networking (“hanging around”) and exuding confidence are your best bet.
To a certain extent, YouTube and other on-line venues level the playing field. If your short film goes viral, it doesn’t matter if you live in Kansas and don’t know a soul in Hollywood. They’ll find you.
I hate the word platform but it can’t be ignored in today’s market. An ability to market and brand yourself is invaluable. These subjects weren’t taught when I was in film school and I’m not sure they’re taught today – but they should be.
It was totally in character for the late Bill Bowers to treat fledging writers to lunch – he was legendary for his warmth and generosity. In his drinking days, he churned out three or four scripts a year. Sober, he slowed but not much. He wrote a whopping 39 movies including “The Gunfighter,” for which he received an Oscar nomination. On the Zoetrope lot in 1980, Bowers occupied one of two offices upstairs from where I wrote a Cindy Williams MOW project.
My UCLA screenwriting professor Bill Froug interviewed Bowers for his first book – the Screenwriter looks at the Screenwriter – so I understood what a privilege it was to spend time with Bowers. He regaled us with stories about old Hollywood, each one better than the last. I wish I’d had the presence of mind to write them all down.
The other upstairs office belonged to Martha Coolidge, a rising young director. We formed a friendship that outlasted Zoetrope.
One of my most satisfying moments as a writer occurred when Martha and I shared a room at the Oaks, a health spa in Ojai.
She’d read and liked my spec script “At 17” but re-read it at the Oaks. From across the room, I scrutinized her face for clues – did she like it as much on her second read? What was she laughing at? Was it meant to be funny? It was hopeless, I couldn’t gauge her reaction — until she turned the last page, tears streaming down her face. Genuine tears! Does it get any better than that? I’ve never felt so validated. (I cried my eyes out when I saw “Rambling Rose”. A true karmic partnership.)
Recently, Martha suffered a serious fall from a horse that left her hospitalized for weeks. In true Martha fashion, she amazed doctors by her incredibly rapid recovery. It was less surprising to friends like me because I’m well aware Martha was born to break down barriers, exceed expectations and amaze the experts.
Imagine that. My first paid writing job, and I got Bill Bowers and Martha Coolidge as office-mates – how lucky can one girl get?