At 17

February 5, 1967

February 5, 1967

 This day has always loomed large in memory – in many ways, it epitomizes my adolescence. First, I have to cop to outrageous thoughtlessness due to the self-centered cloud I lived in. This was a momentous day for my father – in fact, I’ll wager it meant more to him than it did to me.

My Dad, the Pastor of Hope Lutheran
My Dad, the Pastor of Hope Lutheran

 

My Father's dream come true
My Father’s dream come true
My Mother and Father dressed for the occasion
My Mother and Father dressed for the occasion

My indifference to its importance in his life shames me today. I was incapable of grasping a world beyond my transient teen-age hurt over a bad time at a dance or my elation at meeting a new boy.

Natalie and I goofing off
Natalie and I goofing off

Natalie and I always egged each other in ways that got us into trouble and this was no exception. (The fact it was a Catholic Youth Organization dance – and in 1968 Lutherans and Catholics weren’t all that ecumenical – didn’t help.) Natalie got grounded too. Maybe that added to the drama and thrill of it all. Since we paid the price, the experience had to be of value, right? When Natalie was alive, no matter where we were, we called each other on February 5th to remember and commiserate.

Natalie and I always egged each other in ways that got us into trouble.
Natalie and I always egged each other in ways that got us into trouble.

For me, the ramifications of that Sunday adventure lasted for years. I became obsessed with X (after he dropped me). At the time, I blamed my senior year clinical depression on my obsession with that failed romance but it was a scapegoat – the depression was inside me, just waiting for an excuse. And in some ways, the obsession served me well – it kept me aloof from other serious romantic entanglements that might’ve changed my life – maybe for better, maybe for worse. Like most events of my adolescence, it  doesn’t matter; I’m happy with the life I live now.

What plans lurked behind those bright eyed smiling faces?
What plans lurked behind those bright eyed smiling faces?
Hope Lutheran, forever in my mind, forever in my heart
Hope Lutheran, forever in my mind, forever in my heart

February 2, 1968

February 2 1968

We used carpet for the shattered windows
We used carpet for the shattered windows
I wouldn’t feel comfortable modeling at all today (not that anybody’s asking) and I definitely wouldn’t wear any kind of fur. But this was fifty (gasp!) years ago and times were quite different then.
I wouldn’t feel comfortable modeling at all today (not that anybody’s asking) and I definitely wouldn’t wear any kind of fur. But this was fifty (gasp!) years ago and times were quite different then.

I’m sure some forward-thinking people were anti-fur in 1968, but I was unaware of the movement and – in my self-centered state – I didn’t feel particularly guilty about cloaking myself in the fur of dead animals. I’m not sure if this is much of a defense, but the reason JoAnn and I were modeling furs in the first place was the Hills were raising chinchillas – very rodent-like little creatures – specifically for the fur trade. I saw them in their cages at the Hill house, stroked their soft fur, but never really put it together they had to die to fulfill their destiny as a piece of a fur cape.  I wouldn’t feel comfortable modeling at all today (not that anybody’s asking) and I definitely wouldn’t wear any kind of fur. But this was fifty (gasp!) years ago and times were quite different then.

I saw them in their cages at the Hill house, stroked their soft fur, but never really put it together they had to die to fulfill their destiny as a piece of a fur cape.
I saw them in their cages at the Hill house, stroked their soft fur, but never really put it together they had to die to fulfill their destiny as a piece of a fur cape.

The other thing that strikes me about this entry is the extreme contrast between this elegant (at least to my adolescent mind) SF furrier salon and a car in which sticks and carpeting served as a rear window. It sounds as if the ludicrous dichotomy escaped me entirely – I enjoyed the whole bizarre experience which I characterized as simply a

Wild Day

I lost touch with JoAnn years ago and I’m hoping if she or somebody who knows her happens across this, she’ll get back in touch.

I lost touch with JoAnn years ago
I lost touch with JoAnn years ago

JoAnn Hill

A year later we modeled the furs at the Hyatt in San Jose.  That is replayed in a blog I shared with you last February 8th (Modeling at the Hyatt).

May 25, 1968

May 25, 1968

 Proms have become a trope in teen-age movies, which would have one believe that attending (or not attending) the prom defines high school existence (Pretty in Pink springs immediately to mind although there are plenty of others). This wasn’t my experience.

Wilcox Senior Ball with Tal Pomeroy

I went to several proms – all in the same lace-encrusted blue dress – and while they were all memorable in their own way, they were not the apex of my teen-age years. I doubt I’m not alone in this. I’ve never met one single person who claims their prom was the defining moment of their high school life.

Same old Prom dress at our Prom Party
Same old Prom dress at our Prom Party

In real life, I don’t think who got crowned king and queen of the prom was of matter of life and death (Carrie).  I was never in the running so I didn’t really care. My parents, however, were the King and Queen of their high school prom

My parents as King and Queen in 1943
My parents as King and Queen in 1943

Our Prom Party sent up the movie-fantasy stereotype of a high school prom, it didn’t have much to do with the real thing. One of my Columbia students, Holden Weitz, wrote a hilarious teen movie that parodies this trope. That’s the movie I want to see made!

 

 

 

February 25, 1969

February 25, 1969

In late February 1969, my clinical depression escalated. (See November 30, 1968) My part-time job at California Book couldn’t save me but it staunched the bleeding. It forced me to adhere to a schedule. I only worked 16 hours a week, but it was my first job and I took it seriously. It didn’t infringe on my social life since I no longer had one. I didn’t miss it.

Some people lose weight when they get depressed. They find no pleasure in food. That was never my problem. I packed on twenty pounds in no time.
Some people lose weight when they get depressed. They find no pleasure in food. That was never my problem. I packed on twenty pounds in no time.
In a futile attempt to hide the extra pounds, I made poor fashion choices like this.
In a futile attempt to hide the extra pounds, I made poor fashion choices like this.

The major symptom of my despair was a total lack of interest in anything. Anhedonia is the technical term. It means “an inability to experience pleasure from activities usually found enjoyable … including the motivation or desire to engage in activities.”  It took enormous effort to shower. If I also washed my hair, I was too spent to go to school. Not so long ago I could do both – wash my hair and attend school –  but not anymore.

Trying to hide behind my happy nuclear family, I make another poor fashion decision.
Trying to hide behind my happy nuclear family, I make another poor fashion decision.

I knew I wasn’t living up to the curse of my so-called potential. My parents were disappointed, although they never said so. It was nothing compared to how much I loathed myself.

The last thing I needed was more time in bed to think. That kind of self-centered contemplation was like swimming through quicksand – there was no way out, only down. The answer was activity, to get out of bed and out of the house. I knew what to do, but I lacked the energy – and the desire – to do it.

HANG ON!
HANG ON!

Writing about my year of depression is about as much fun as living it. I do it because so many people get stuck in something similar. In the thick of it, I felt alone and empty. It might’ve helped to know I wasn’t. If you’re depressed and read this, remember – you’re not alone or empty either. Things get better. Hang on.

February 20, 1978

February 20, 1978

 The script I refer to here turned out to be my breakthrough spec script “At 17”, inspired by and loosely based on the brilliant Janis Ian song of the same title. I didn’t have the rights – I don’t know if anyone actually did – but ABC was developing it as a Movie of the Week (MOW).

Jani and I when we were both close to At 17 in real life
Jani and I when we were both close to At 17 in real life.

My former boss at NBC, the late and much lamented Len Hill, was one of the ABC executives in charge of MOWs; my sister Janet was his assistant/secretary. He told me if I could write a brilliant script in the next ten days he’d consider it equally with the scripts the network paid for. Ten days isn’t enough to write a great script from scratch under any circumstances and it wasn’t the best of times for me. My son CD was 14 months old but well on his way to the terrible twos.

Most of my time and energy went into containing CD
Most of my time and energy went into containing CD

Nonetheless, I gave it my best shot. The tension was so high I threw up on some of those late nights (gross, I know) but – with Jani’s assistance – I finished it.  I don’t think Len or anybody else expected me to do it.

Janet and I
Janet and I

The problem was – it wasn’t good enough. The network preferred the writer who cashed their big checks. The rejection was so devastating I gave up until my pride and desire for revenge resurrected me. “I’ll show you,” I thought. “I’ll do a great rewrite and prove you were wrong to dismiss me.”

"I'll show you. I'll do a great re-write and prove you were wrong to dismiss me."
“I’ll show you. I’ll do a great re-write and prove you were wrong to dismiss me.”

 Did I succeed? I think so. Although the film never got made, it was optioned three times and garnered interest from directors like Martha Coolidge and Amy Heckerling. Years after Molly Ringwald aged out of playing a teen-ager, she told me she would’ve loved to play one of the parts. To say the least, I would’ve loved for her to play it but my script didn’t reach her at the right time.     

No one was better than Molly Ringwald when it came to playing complicated teenagers.
No one was better than Molly Ringwald when it came to playing complicated teenagers.

That’s the way things go. Big ups, big downs. Victories won, battles lost, it’s hard to quantify wins and losses when script quality is so subjective and the industry’s in constant flux.  The bottom line is, were those ten sleepless days and nights worth it when I failed to get what I wanted?   Would I do it again? Hell, yes. If I had my life to live over, I’d try harder, reach higher and risk bigger losses.  The only way to fail for good is giving up.

February 14, 1981

February 14, 1981

 Prom Party Invitation

John and I in Mexico-themed photo booth with Co-hostess Anne Kurrasch
John and I in Mexico-themed photo booth with Co-hostess Anne Kurrasch

The invitation for this party (reproduced above) explains it all.  I wore the dress I actually wore to real proms in the sixties when I thought it was the most beautiful gown I’d ever seen. The style failed to age as well as I hoped – the dresses worn by most of the other female guests fared better (but I still got to be Prom Queen, an opportunity denied me in real life)

Kirk Hulstrom and Arthur Everett in character.
Kirk Hulstrom and Arthur Everett in character.

In this case, the photos are worth a thousand words so here are some of my favorites.

Ceiling stars and disco ball were more effective live than they appear in photos - I guess you had to be there.
Ceiling stars and disco ball were more effective live than they appear in photos – I guess you had to be there.
Joyce and John Salter (one of few people who look young enough to actually be in high school)
Joyce and John Salter (one of few people who look young enough to actually be in high school)
Bennett Traub with JJ Johnson - Danny and JoAnn Hill
Bennett Traub with JJ Johnson – JoAnn Hill and Danny
Kim Mistretta and Karen Hermann, the future Mrs. Art Everett (this was the night they met) & Ken Millikian and Steffani Graham
Kim Mistretta and Karen Hermann, the future Mrs. Art Everett (this was the night they met) & Ken Millikian and Steffani Graham
Some girls campaigned shamelessly to be elected Prom Queen (Anne Kurrasch and Bill Connell)
Some girls campaigned shamelessly to be elected Prom Queen (Anne Kurrasch and Bill Connell)
Don't judge Mr. Hulstrom too harshly. You'd be drinking too if you had to chaperone this thing. The photographer gets frisky with Joyce Salter and Denise Gail Williams.
Don’t judge Mr. Hulstrom too harshly. You’d be drinking too if you had to chaperone this thing. The photographer gets frisky with Joyce Salter and Denise Gail Williams.
You didn't hear it from me, but something's fishy with the Queen of the Prom ballots! (Diane Larson, Joyce Salter, Steffani Graham)
You didn’t hear it from me, but something’s fishy with the Queen of the Prom ballots! (Diane Larson, Joyce Salter, Steffani Graham)
Somebody dropped something! (Kathy Williamson, Kirk Hulstrom, Sharon and Russ Carpenter )
Somebody dropped something! (Kathy Williamson, Kirk Hulstrom, Sharon and Russ Carpenter )
Karen Hermann, Russ Carpenter, ??, Vicki Hill - Waiting to learn who will be crowned Prom Queen (me, Michael Wasserman, Melanie Sayler, Diane Larson plus people I can't identify)
Karen Hermann, Russ Carpenter, ??, Vicki Hill – Waiting to learn who will be crowned Prom Queen (me, Michael Wasserman, Melanie Sayler, Diane Larson plus people I can’t identify)
I was as surprised as everyone else when Mr. Hulstrom announced I was Prom Queen.
I was as surprised as everyone else when Mr. Hulstrom announced I was Prom Queen.
When you're a winner, you have to deal with the envy of others. (Sharon Grish, Father Dan) - Denise Trette, Gail Williams - a good time was had by all Joyce Salter, Michael Wasserman
When you’re a winner, you have to deal with the envy of others. (Sharon Grish, Father Dan) – Denise Trette, Gail Williams – a good time was had by all Joyce Salter, Michael Wasserman
Goodnight, John. Goodnight, Kathleen.
Goodnight, John. Goodnight, Kathleen.

January 19, 1981

 

january-19-1981

Brian
Brian

I was sandwiched in the center of a vinyl booth, two boys on either side. While they seemed semi-civilized at school, a round of Pepsis and fries at Denny’s unleashed their inner beast. As much as I hated to encounter obnoxious loud teenagers in real life, it was a thousand times worse to be dead center in a pack of them.

Disguised as high school student for my return enrollment at Wilcox in 1981. I hoped the huge hair would draw attention away from my face.
Disguised as high school student for my return enrollment at Wilcox in 1981. I hoped the huge hair would draw attention away from my face.

My adult self wanted to read them the riot act but my high school persona hunched speechless, red-faced.

Redfaced & Speechless
Redfaced & Speechless

They poured out the condiments Denny’s provided in little baskets on every table and scrawled their names in catsup, subbing salt for glitter.  They blew straw wrappers at each other. They insulted diners who viewed us with disgust. If my four-year-old acted like this, I’d whisk him outside where he’d remain until he could behave himself but I didn’t have that option here. I wanted to beg our waitress’s forgiveness and leave a huge tip – I doubted the boys would leave a dime – but I couldn’t without calling attention to myself.

reality-check

After they dropped me off, I called J in LA. “What’s up with your high school boyfriend?” he asked. I told him I wanted to dive under the table at Denny’s. It was hard for him to relate, since he lived a grown-up life with other adults.

After a date at Denny's with four teen-age boys, I need a glass of wine.
After a date at Denny’s with four teen-age boys, I need a glass of wine.

The worst was yet to come. My 3rd period teacher sent me to the library because they were taking a pop quiz on material I missed.  Another class, taught by Mrs. Murray, one of my former teachers in real life, already occupied the library.

When the lunch bell blared, students mobbed the door. A popular-looking perky blonde shook her bangled wrist and regaled her court with details about where she bought it, who designed it, and how much she paid. Most “girl talk” I overheard concerned fashion. They were as passionate about cute clothes as my sixties friends were about rock concerts and Viet Nam. My musings skidded to a halt when Mrs. Murray peered over their heads and said, 

kathy-knutsen

My adrenalin lurched into flight or fight mode. It was all I could do not to react, to pretend I didn’t realize Mrs. Murray addressed me. She repeated herself, not taking her eyes off me.

kathy-knutsen

I feigned confusion. “No,” I said.

“You look exactly like a girl I had ten years ago,” Mrs. Murray said.


sorry-not-me“Sorry, not me,” I said. As a preacher’s kid prone to Biblical references, I felt like Peter in the Garden of Gethsemane, denying my own identity three times. How could that exchange not arouse a glimmer of curiosity from one of the student witnesses?  It didn’t. They were all more  interested in being first in line at the snack bar than anything Mrs. Murray or I said.

January 22, 1971


January 22, 1971

 

I could count on Sandy to help me search for the past.
I could count on Sandy to help me search for the past.
Vania Brown could travel back in time too.
Vania Brown could travel back in time too.

January 22, 1971, is practically a template for every return trip to Santa Clara after my parents moved to San Diego. Invariably, these visits were poorly planned and rushed, always too much to do in too little time. My neurosis compelled me to forage in vain for a piece of my past (in the case above, the Grapes of Wrath gig).  My futile search for Luke was eerily similar to my  recurring “missed connections” dream.

Where'd you go, Luke?
Where’d you go, Luke?


A classic recurring dream involves taking an exam you’re unprepared for. There are infinite variations. In my typical version, I forgot/neglected to drop a UCLA class and the deadline passed. I must take the final but I never attended the class and know nothing.  In my father’s version, he stands before a congregation without his hymnal or Bible – lost. I suspect every occupation dreams its own variant on this theme. No matter how often I dream it, it shoots my stress level sky-high.

 

Consequences can be dire if you forget to drop a class -- in a dream - within a dream.
Consequences can be dire if you forget to drop a class — in a dream – within a dream.

 

My “missed connections” recurring dream induces frustration rather than anxiety. These dreams always take place in Santa Clara.  I’m home (I can’t believe I still call Santa Clara home when I haven’t lived there for almost 50 years but some places leave a deep imprint) and I want to get in touch with somebody but I left their phone number and/or address in LA. Sometimes, I can’t figure out how to dial the phone or intercom – or the person I’m searching for moved and left no forwarding address. I’m always thisclose but I can never get there. To this day, I dream alterations of this theme over and over.

 

SANTA CLARA

 

No doubt it’s obvious to amateur shrinks what these dreams mean. All I know for certain is they’re not going away. Santa Clara, here I come…. over and over again. As Bono famously sings, “I still haven’t found what I’m looking for.”

 

November 18, 1985

november-18-1985

 I met Gene Simmons for the first time in  Gary Lucchesi’s  TriStar office. Gene was wearing leopard boots, a multi-strand choker with colored glass beads or gems and some sort of mesh bracelet. I’m pretty sure I looked like a PTA president by comparison in my dress and pantyhose. (What was I thinking???)  He liked my spec script and wanted me to write his movie project about groupies.

Gene Simmons, Rock Star
Gene Simmons, Rock Star

His plan was for me to attend a lot of rock concerts, go backstage, and soak up the scene. For those who read yesterday’s blog, Simon and Garfunkel’s empty dressing room at the San Jose Civic in ’67 was as close as I’d come to getting up close and personal with a rock star. (Not actually true. I met some heavyweights with Cindy Williams in 80 – but that was more of an “Industry” event, not a groupie scene).

Ms. Straight Suburban Mom
Ms. Straight Suburban Mom

I love rock music and I’m fascinated by the “secret society” that surrounds it – the novel I’m working on right now, in 2016, is set in the rock world.  The prospect of safely immersing myself in that world was enormously appealing – but so was my hope of adapting the Moonflower Vine, a novel by Jetta Carleton I’d loved since I read it in the sixties.

the-moonflower-vine-book-imageIt seems as if good things (such as opportunities, rewards, and kudos) as well as bad things (failure, rejection, and financial stress) tend to come in clusters.  Either there are two or three projects I want to write or I can’t get arrested. Two guys ask me out or I’m home alone on a Saturday night. I’ve always assumed it’s the same way for everybody (“buses always come in threes”) but I’ve never asked. Is it?

Actually, I don't mind spending Saturday nights alone if I've got something to read.
Actually, I don’t mind spending Saturday nights alone if I’ve got something to read.

Don’t bother looking up either of these projects on the internet. Another party already purchased all rights to the Moonflower Vine – forever – so there was no hope of optioning the underlying material. I wrote a draft of the groupies’ project for Gene and TriStar at which time it died, never to be resurrected (at least not with me as the writer).   In this case, these days of indecision – ripe with intoxicating possibilities – were as good as it gets.

 

November 15, 1980

november-15-1980

This was an amazing day, full of promise, and it retains its magic quality in my memory even though almost nothing unfolded like expected. I got the assignment to adapt  S. E. Hinton’s classic novel, the Outsiders, for the screen. I did pose as a high school student and return to the high school I graduated from (more than a decade earlier) without getting busted.

Gio Coppola took this Polaroid of me with Fred Roos on this day.
Gio Coppola took this Polaroid of me with Fred Roos on this day.

Augie didn’t direct the movie, Francis did, which was the good news and the bad news. I’m awed by his talent; he directed some of the greatest movies of our time IMHO. How could this development possibly be bad? He’s an equally talented writer and took over the rewrite himself. When I saw the final shooting script, my name was nowhere to be seen.

Under the Writers Guild of America rules, this triggered an automatic arbitration because a production executive (director, producer etc.) sought screenplay credit. Three anonymous writers read all of our scripts and rendered a decision about screenplay credit. After a second and third arbitration and a Policy Review Board, I prevailed. It was a tense time.

After winning the arbitration - before the storm.
After winning the arbitration – before the storm.

This experience piqued my interest in the arbitration process and I volunteered to serve as an arbiter. Eventually I got to serve on the Policy Review Board, which I continue to do to this day.

Reading multiple drafts of the same script to decide who deserves screen credit provides a spectacular education in screen writing or, more accurately, rewriting. It was a front row seat to see exactly how scripts assume their final shape. I also learned a lot about human nature.

W/my sisters, wearing my Writer's Guild Strikes! tee-shirt. The WGA struck for the right to determine their own credits - and it was worth it.
W/my sisters, wearing my Writer’s Guild Strikes! tee-shirt. The WGA struck for the right to determine their own credits – and it was worth it.

There are significant financial rewards for getting your name on a script, even if the movie’s a bomb. That might have motivated a few writers to battle but I think most of them fought because they believed they deserved to win. It reminds me of the joke about the actor playing the gravedigger in Hamlet, who’s convinced the play is about the gravedigger. Time after time, writers clearly saw – and frequently exaggerated – their own contribution and missed or minimized the contribution of writers before or after them. I doubt I’m immune to this self-serving blind spot; no doubt I do the same thing, despite being aware of this trap.

I suspect this tendency isn’t restricted to actors and writers – that many, if not most, human beings focus on their own contributions to the exclusion of others regardless of their line of work.

 


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